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The Journal

Notes from the set, the edit suite and the grade.

From The Journal

Shooting In The Wind

Shooting In The Wind

Two days on the dunes at Montauk, a wind that never dropped below twenty knots and two coats that had to move the same way in every take. Here is what we rigged, what we gave up and what we would do again.

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Anamorphic On A Music Video Budget

Anamorphic On A Music Video Budget

Two days on the dunes at Montauk, a wind that never dropped below twenty knots and two coats that had to move the same way in every take. Here is what we rigged, what we gave up and what we would do again.

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Four Hundred Hours Of Rushes

Four Hundred Hours Of Rushes

Two days on the dunes at Montauk, a wind that never dropped below twenty knots and two coats that had to move the same way in every take. Here is what we rigged, what we gave up and what we would do again.

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Lighting A Lake At Dawn
Lighting A Lake At Dawn
Lighting A Lake At Dawn

Lighting A Lake At Dawn

Two days on the dunes at Montauk, a wind that never dropped below twenty knots and two coats that had to move the same way in every take. Here is what we rigged, what we gave up and what we would do again.

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Permits, Tides And A Call Sheet

Permits, Tides And A Call Sheet

Two days on the dunes at Montauk, a wind that never dropped below twenty knots and two coats that had to move the same way in every take. Here is what we rigged, what we gave up and what we would do again.

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What A Shoot Day Really Costs

What A Shoot Day Really Costs

Two days on the dunes at Montauk, a wind that never dropped below twenty knots and two coats that had to move the same way in every take. Here is what we rigged, what we gave up and what we would do again.

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