Commercials
Spots and brand films with every cut-down a campaign needs.
From$9,000a shoot day
Details
Services
Seven ways we make films, each with its own crew and its own day rate.
What We Make
Seven Ways We Make Films
Each service has its own crew and its own day rate, from the numbers in our estimate. Hover a still and the timecode runs.
Music Videos
Performance and narrative videos, shot on anamorphic glass.
From$6,400a shoot day
Details
Documentary
Small crews, long shoots, patient edits and honest films.
From$2,400a shoot day
Details
Branded Content
Stories for brands that people watch to the end.
From$4,450a shoot day
Details
Cinematography
Our director of photography and first AC, with the cinema package.
From$2,500a shoot day
Details
Edit & Grade
Two edit suites and a grading theatre, by the day.
From$900an edit day
Details
Aerial
A licensed pilot and a spotter, by the shoot day.
From$1,400a shoot day
Details
Day Rates
All Day Rates
The Units We Send Out Most
$2,400/ Shoot Day
Documentary Unit
Documentary- Crew3 people
- CameraDocumentary Kit
- Typical Shoot6 days
- EditFour edit days for every shoot day
- GradeNo Grade
Interviews, observational films, long-form
Build This Estimate
$6,400/ Shoot Day
Music Video Day
Music Videos- Crew7 people
- CameraAnamorphic Package
- Typical Shoot2 days
- EditThree edit days for two shoot days
- GradeStandard Grade
Performance, narrative and one-take videos
Build This Estimate
$9,000/ Shoot Day
Commercial Unit
Commercials- Crew12 people
- CameraCinema Package
- Typical Shoot2 days
- EditFive edit days for two shoot days
- GradeStandard Grade
Brand films, spots, cut-downs for every channel
Build This Estimate
Client Words
Said After The Wrap
They found the film inside our brief and shot it in two days. The cut-downs were ready before we asked for them.
Clara WenBrand Director, Northline OuterwearElias shot my record like a short film. The lake scene is the one people stop and screenshot.
Ines ValeMusicianThree weeks on the plateau with a crew of three, and not one wasted day. The edit found the story we hoped was there.
Marcus OyelaranCommissioning Editor, Field Notes ChannelThe estimate landed within four percent of the final invoice. In fifteen years of commissioning, that has happened twice.
Sofia BrandauerProducer, Maison ArloNoor built the grade with us in one afternoon, and we have kept that look for a year of campaigns.
Daniel KerrCreative Lead, Aster Skincare4.9132 Google reviews