Skip To Content
The office opens weekdays at 9:00 Brooklyn Navy Yard, New York
Day Rates Client Review My Account
On Set This Week

Behindthe Camera

A Commercial Day

Twelve people, the cinema package and a dolly on twelve metres of track.

  • UnitCommercial Unit
  • Day Rate$9,000

A Music Video Night

Seven people on anamorphic glass, LED tubes and one long take before dawn.

  • UnitMusic Video Day
  • Day Rate$6,400

A Documentary Week

Three people, one car of kit and six days of patience on the plateau.

  • UnitDocumentary Unit
  • Day Rate$2,400
A camera operator framing an actress on a white set
A frame from Salt Road: a coat flying in the wind
A camera raised to the eye by a bright window
A frame from Undertow: the singer floating on dark water
A camera operator checking focus in soft evening light
A frame from The Long Dry: a red mesa under a pale sky
The Production Board

Where Every Film Is Today

Today

The office opens weekdays at 9:00

  • Commercial

    Tidewater

    Northline Outerwear

    On Set day 2 of 3

    Montauk, New York
  • Music Video

    Ash & Honey

    Ines Vale

    In Prep day 1 of 5

    Navy Yard Stage, Brooklyn
  • Documentary

    The Plateau

    Field Notes Channel

    In The Edit day 6 of 8

    Moab, Utah
  • Commercial

    Glasshouse

    Aster Skincare

    In The Grade day 2 of 3

    Hudson Valley, New York

In Prep 0

On Set 0

In The Edit 0

In The Grade 0

Delivering 0

The Stage

Push Into The Set

Stage One in the Navy Yard: a set built for a commercial, lit with a tungsten fresnel and flagged by hand. Scroll, and the camera dollies through the doorway onto the frame.

Dolly In 0.0 m 35 mm · T2.3 · 3.6 m Of Track

The set: a plastered flat with a doorway, a director's chair, a 2.5K fresnel on a wind-up stand and a black flag on a C-stand. Beyond the door, a frame from The Long Dry.

The Kit List

What We Shoot On

19 lines of kit on the truck, each with the package it rides in and its day rate when it comes with a Kinora crew.

The Whole Kit List Packages from $450 to $1,850 a shoot day.
The Crew

Six On Staff

+99132 ReviewsAn average of 4.9 out of 5
Elias Brandt, Director
Director

Elias Brandt

Started Kinora with one camera and a borrowed van.

  • FocusCommercials and music videos
  • Films64 since 2012
  • Day Rate$1,800
Theo Marchetti, Director Of Photography
Director Of Photography

Theo Marchetti

Lights with the sun when he can and with a 2.5K when he cannot.

  • FocusAnamorphic, natural light, long takes
  • Films58 since 2014
  • Day Rate$1,500
Hana Ito, Producer
Producer

Hana Ito

Keeps every shoot on its day and every estimate honest.

  • FocusBudgets, permits, schedules
  • Films71 since 2015
  • Day Rate$1,100
Lucia Reyes, Editor
Editor

Lucia Reyes

Finds the film in four hundred hours of rushes.

  • FocusStory cuts and documentary
  • Films49 since 2016
  • Day Rate$900
Noor Haddad, Colourist
Colourist

Noor Haddad

Builds a look per film, never a preset.

  • FocusFilm emulation, HDR
  • Films52 since 2018
  • Day Rate$1,100
Jonah Pike, Gaffer
Gaffer

Jonah Pike

Brings the sun inside on a 6K and a bounce.

  • FocusDaylight control, practicals
  • Films37 since 2019
  • Day Rate$750
How We Work

First Call To Final Cut

The Whole Process
  1. 01

    Development

    The treatment, the references and the estimate, agreed before anything is booked.

    1 to 2 weeks
  2. 02

    Pre-Production

    Casting, locations, permits, the schedule and the call sheets.

    1 to 3 weeks
  3. 03

    The Shoot

    Call at 7:00, wrap at 19:00, and the rushes backed up twice before the van leaves.

    1 to 16 days
  4. 04

    Edit & Grade

    The cuts, your notes pinned to the frame in the Review Room, then the grade.

    1 to 6 weeks
  5. 05

    Delivery

    Masters, cut-downs for every channel, subtitles and the archive.

    2 to 5 days
Start A Project

Tell Us The Film

Six short steps, a live estimate beside them and a reply from Hana, our producer, within a working day.

  • ReplyWithin a working day
  • EstimateItemised, live
  • Contingency10%, refunded if unspent
Questions

Budgets, Days And Crews

The four questions we hear first. The rest are on the FAQ page.

All Questions

Shoot days times the crew size at an average of $650 a person, the camera package by the day, edit days at $900, grade days at the grade's rate, the extras, then a 12% production fee and a 10% contingency. The Shoot Estimate page adds it up as you go.