One hundred and twenty-eight campaigns are open to applications right now. Every one of them states what it pays, what it wants made and when it closes — before you write a word.
Campaigns Booked Through Creatrix This Quarter
Three creators, one grid post and one story set each, shot with the product in a real morning routine.
Looking for channels already reviewing headphones, not a dedicated video. Audience skew 25 to 44.
Sound-led, shot in your own space, with a spark licence for thirty days of paid on the same cut.
Writers who already cover payments infrastructure. We will give you the changelog and get out of the way.
Ten frames, shot over two days, with the hotel and the route named in the caption.
A full upload built around a single dish. No script, no approval on the recipe, one round of notes.
No agency in the middle, no rate cards that expire. You see the numbers, you send the brief, the creator accepts.
Narrow four thousand creators by network, niche, audience size and the engagement rate they actually hold — not the one on their media kit.
Four thousand creators, one filter set
Every creator carries a booking rate calculated from reach and deliverables, so the budget conversation happens before the first message.
Every rate visible before you message
Send the brief, approve the draft, release payment when the post goes live. Performance lands in your dashboard for thirty days after.
Payment released when the post is live
No creator matches that search yet. Try another network or a broader niche.
Booking rates on Creatrix are built from audience size, network and what you are asking the creator to make — the same model every card on the roster is priced with.
This band is higher than 12% of the published rates on the roster.
Creators set the final fee. This is the band brands book inside, licence included.
Grid posts, Reels and story sets for beauty, travel, fashion and food.
Reviews, integrations and dedicated videos with thirty-day tails.
Threads, launch-day commentary and the fastest turnaround on the roster.
Sound-led short form with the highest completion rates we track.
Every brand team below booked, briefed and paid through Creatrix. The figure on each card is what the campaign returned, not what the deck promised.
We shortlisted eleven creators on a Tuesday and had three briefs accepted by Thursday. The rate on the card was the rate we paid — no media kit theatre.
Priya Raman
Head Of Growth, Northwind
The engagement figures held up against our own tracking, which is more than I can say for the last three platforms we tried.
Maren Feld
Brand Director, Solace
Being able to price a campaign before writing the brief changed how our team plans a quarter. We book smaller creators more often now.
Elena Boros
Founder, Kite & Co
Every creator we approached had already published a rate, so there was nothing to negotiate and nothing to chase. The whole round took an afternoon.
Daniela Okafor
Performance Lead, Mera
We brief in four languages and the roster filter finally made that simple. Two of the markets we opened last year came off this platform.
Sofia Lind
Head Of Brand, Alvar
Campaigns
Four lines, a budget and a date. Everything else can wait until the creator says yes.
Leah Sandberg
Creatrix Journal
Read
Licensing
Negotiate usage at the booking, not after the post outperforms and everyone gets nervous.
Odette Warren
Creatrix Journal
Read
Measurement
Views are a scroll. Completion is attention. One of those is worth paying for.
Maya Okoye
Creatrix Journal
Read
Shortlist, price and brief creators in one place, with the numbers in front of you the whole way.
